By Christopher Pizzino
Mainstream narratives of the photo novel’s improvement describe the form’s “coming of age,” its maturation from pulp infancy to literary maturity. In Arresting Development, Christopher Pizzino questions those confirmed narratives, arguing that the medium’s background of censorship and marginalization endures within the minds of its present-day readers and, crucially, its authors. Comics and their writers stay pressured by means of the stigma of literary illegitimacy and the struggles for prestige that marked their prior history.
Many photograph novelists are intensely conscious of either the medium’s earlier and their very own tenuous prestige in modern tradition. Arresting Development provides case reports of 4 key works—Frank Miller’s Batman: The darkish Knight Returns, Alison Bechdel’s Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s Love and Rockets—exploring how their authors interact the matter of comics’ cultural status. Pizzino illuminates the separation of low and high tradition, paintings and pulp, and complex appreciation and vulgar intake as continuous affects that ensure the bounds of literature, the prestige of readers, and the worth of the very act of reading.
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Extra resources for Arresting Development: Comics at the Boundaries of Literature (World Comics and Graphic Nonfiction)
Arresting Development: Comics at the Boundaries of Literature (World Comics and Graphic Nonfiction) by Christopher Pizzino
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