By Miriam Sivan

Shows how Ozick’s characters try to mediate a fancy Jewish identification, person who bridges the diversities among conventional Judaism and secular American culture.

In Belonging Too good, Miriam Sivan attracts on modern literary thought in addition to conventional Jewish texts and tradition to discover the query of identification in Cynthia Ozick’s fiction. Many critics have pointed to a cut up in Ozick’s paintings among Judaic and secular tradition and values. Sivan indicates, even though, that Ozick by no means settles for an easy either/or dichotomy among conventional Judaism and secular American tradition, yet that her protagonists as an alternative model new technique of dwelling surely Jewish lives in the American Diaspora. frequently they try now not with now not belonging to both the previous or the recent Worlds, yet of belonging too good to either. a part of a up to date development towards reading Jewish American literature within the context of a deep come across with and knowing of Judaism and conventional Jewish texts, Sivan’s research allows readers of Ozick’s fiction to penetrate the advanced webs she creates between cultures, time classes, and characters, a few rather sober, others outstanding, all unusual.

“…intelligent, considerate research … Sivan joins the ranks of the simplest thinkers within the field.” — CHOICE

Miriam Sivan teaches within the division of English Language and Literature on the college of Haifa in Israel.

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Belonging Too Well: Portraits of Identity in Cynthia Ozick's Fiction (SUNY series in Modern Jewish Literature and Culture) by Miriam Sivan

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